The revival of interest in national traditions,which can be observed recently, attracted attention to the clothes of people of past centuries, especially since many of the details long ago disappeared from everyday life. For example, poneva is a women's skirt, which was an integral part of the costume of Slavic women, and now it is almost forgotten.
The correct sounding of this word is "ponova," and insome areas were spoken and "understood". The origin of it is now forgotten. But most historians and linguists believe that poneva is a piece of cloth, a piece of cloth, a shroud, and at one time they called it matter, not clothes. Although there is another interpretation that raises the name "poneva" to the word "bride", more precisely, "poneste". Perhaps, this point of view is correct, since this swinging skirt was worn by married women or girls. It was worn over the undershirt and had an ankle length, and sometimes up to the calves, to demonstrate the embroidery on the undershirt.
Sweeping, gathered on the belt, the skirt is of a very ancient origin. Once in the distant past, the first clothing was the animal's skin, and then - a piece of cloth wrapped around the hips.
In the old days Slavic peoples hadan inalienable attribute of women's clothing and a kind of symbol of a hard share of the husband's wife. The first ponevu gave the mother, and often it was a special rite, a kind of initiation, symbolizing the introduction of a girl into adulthood. In some areas, the ritual of putting on this skirt was performed by girlfriends, and sometimes by a brother.
But later, about a century from the XV, the pounding of the beginningbe considered exclusively peasant clothing, and the word "ponevnitsa" in the circles of the nobility and especially the merchants began to scornfully call women of low birth and villagers.
What did the poney look like? The photo shows well that it was a simple rectangular piece of cloth. He turned around the hips and tied a shoestring (or a frog) in front or on the side. The ends of the skirt could be tucked, for example, while working in the field or for boasting a rich embroidery on the shirt. This way of wearing poneva was called "kulk".
In the past, people's lives were filleddiverse symbolism. Important for the person sacral signs were applied to utensils, cut out on the mounds of houses, embroidered on towels. By decorations, charms and amulets one could understand the social status of a person, his belonging to the family, marital status and even age.
No less symbolic and traditional costume. Poneva is an important part of women's clothing, it was decorated with symbols of life and fertility, solar signs and floral ornamentation.
The material itself for the poneva necessarily had a pattern- a cage of different colors. The intersection of vertical and horizontal bands, forming squares or rhombuses - is the oldest agricultural symbol of fertility, the sign of the sown field. It is most often seen in embellishments and embroidery of women's clothing.
Poneva richly decorated with braid. It was sewn along the hem and side walls sometimes in several rows. On it was embroidered floral ornament and solar signs in the form of crosses, serpents and birds. Sometimes the braid was made of brushed cloth, that is, woven with patterns. She was a matter of pride, because everything was done by her own hands.
Older women mated their colorful ribbons from their own, leaving one narrow strip.
The skirt of poneva had four varieties, depending on the nature of the cut.
Poneva is not a simple skirt. By the color of the material and the cell it was possible to understand the origin of the woman. Thus, in the Tula, Tambov and Ryazan provinces, where the ancient tribe of Vyatichi lived, preferred the penevs of dark blue, and north of Ryazan - black. The strips forming the cells were woven in color or white. But in the vicinity of the city of Kasimov the red ponies dominated the blue cage. The same color was worn in the Orel, Smolensk and Voronezh regions.
The color of the strips forming the cells could be different, but there were necessarily white, black and red stripes - the three main colors of the Slavs.
In the past, every woman knew how to sew up,a pattern she did not need for this. Indeed, what pattern can a regular rectangular, albeit composite, piece of cloth have? The only, and even a little trick, is to insert the garter belt into the top of the skirt. It was a kind of kind of an outburst.
These belts can be made twisted from woolen or linen thread in the form of a cord or from a thin braid decorated with brushes.
If you still do not understand how to cover the pona, photowill help in this sort out. It shows patterns of two kinds of skirts: with a past and a simple swing. In the first case, oblique crosses designate the past, and along the line of the stroke a gash-belt was inserted.
Despite the fact that poneva was predominantlyeveryday clothes, she also performed aesthetic functions. A variety of embroidery, patterned cloth and bright combinations of red, blue, white and green colors made this skirt a real work of arts and crafts.
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