F.I. Tyutchev is a poet who tragically and philosophically looks at the fateful vicissitudes of life. His thoughts are occupied by social themes, love and nature, which he not only describes in a romantic vein, but animates. We will analyze the poem "Noon". Tyutchev wrote it in 1829, when he lived in Munich and was already secretly married to his first wife. Their life was then full of appeasement - the same feeling breathes "Noon".
Before us is a summer day in all itsdelights. Tired by the heat, nature lazily rests, not a single movement is transmitted in this miniature. She is embroidered with "hot sleep". What do we see when we analyze the poem "Noon"? Tyutchev included, as he loved these years, in the last two lines of the ancient motifs: the great Pan, who sleeps in the cave nymphs. Pan personifies the soul of nature.
What does the analysis of the poem "Noon" say? Tyutchev made the theme of an image of the southern landscape on the Adriatic. Before his eyes, the picture of K. Briullov "The Italian Noon" and, strangely enough, the Russian village - in the motionless hot air all stood still and filled with languor.
The poem consists of two quatrains, which are written with a four-legged iambic. Rhyme is simple and easy for hearing and memorizing - girdling.
The nature of the poet is spiritualized and animated. Inversion and metaphor "breathes noon" brings into the poem the breath of nature itself. In the first quatrain, inversions occur in each line: "the river rolls", "the clouds melt". In addition, strikingly precise epithets are used to depict the heat. Noonday it hazy, the azure is fiery and clean, the drowsiness is hot. The epithet "lazily" reveals the essence of this time of day.
F.I. Tyutchev noon reveals as a state of sleepy drowsiness with amazing expressiveness. Here again, the metaphor "like a fog" is used: the whole of nature was captured by a nap. Mysterious Tyutchev's noon makes it possible to see the hot summer air, over which a hot haze hangs. In doing so, he saturates the poem with verbs that describe the state of a hot day: he breathes, rolls, melts, embraces.
In the period of the 1920s and 1930s, the poetry of F. Tyutchev painted romantic notes. The whole world is alive and animated for him. At that time he was fond of the natural philosophy of F. Schelling. At the same time, F. Tyutchev draws closer to the Slavophiles, who recognized the aesthetic views and romantic metaphysics of German literature.