Yuri Butusov, theater director: the creative path and biography

Theater directors do not often becomemedia faces, and Yuri Butusov does not want to get into the secular chronicle. He works a lot, and the results of his work attract the attention of spectators and critics. Biography of the director is full of professional events.

Finding Yourself

Yuri Butusov was born in Gatchina 24October 1961, in a family that had nothing to do with the theater. He considers himself to be a St. Petersburg person, because it is in this city that his formation and formation as an artist takes place. Yuri Butusov is a director who did not immediately find himself. He had not dreamed about the theater since childhood, although he was engaged in his youth in the studio, and he had other plans for life at school.

After graduation, he enters Leningradshipbuilding institute. After graduation she does not work for a long time in her specialty, she does not bring work satisfaction, Yuri tries himself in different professions, even seriously takes a great interest in equestrian sport. Searches lead him to the very famous in Leningrad Theater "Crossroads" Veniamin Filshtinsky, and he even tries to enter the acting department, but he fails. The whole year Butusov works as a watchman, he works at the "Crossroads" and in 1991 he goes to the director's faculty of LGITMiK, to the studio of Irina Malochevskaya, who worked with G. Tovstonogov for many years.

The Way of the Director

The Theater Institute not only gave Butusovhis favorite profession, but also brought him with the actors who will become the stars of his performances, at the same time Mikhail Porechenkov, Mikhail Trukhin, Andrei Zibrov and Konstantin Khabensky studied at LGITM. They began to collaborate in their student years, when Yury Butusov put on the training play "Marriage" and did a thesis on Beckett's play Waiting for Godot. Later this team will be the reason for the many-year-old sold-out in the theater. Lensoveta, and the last work will bring the director fame and recognition. For his "Godot" he will receive the "Golden Mask" and the main prize at the "Christmas Parade" festival.

There are lucky people in the theatrical world, and sois Yuri Butusov, whose biography shows almost vertical takeoff. Already from the first steps the director linked his fate with the theater of the absurd, he loves Ionesco, puts Buchner, Pinter, Camus. But, growing up, he comes to understand and desire to put classics, under his guidance there is a new reading of Shakespeare, Chekhov, Bulgakov.

After the university, Butusov along with his groupactors come to the theater. The Leningrad City Council makes it one of the most notable in Russia. Spectators and critics fall in love with Yuri, and he continues his searches and seeks new platforms for implementation.

Having worked in St. Petersburg for several years, YuriButusov goes to conquer Moscow. He is invited to the "Satyricon", where the director puts "Macbeth" on E. Ionesco, forming a new team of actors, who then for many years continues to cooperate with him. Butusov is characterized by the perception of the theater as at home, he seeks to create a cozy family atmosphere in the troupe. For his so long a short path, he was able to create two such houses: in the theater of the Leningrad City Council and in the Satyricon.

Moscow favorably meets the director, hisinvite the best theaters for productions: "Tabakerka", Moscow Art Theater. AP Chekhov, Vakhtangov, Alexandrinsky. Since 2002, he began to put and abroad: in South Korea, Norway, Bulgaria.

Butusov works a lot, releasing several performances a year, and all his works are marked by high quality, interesting idea, outstanding actors and many director's findings.

The best performances

Rarely does fame come to the directorafter the first productions, Yury Butusov became such a lucky beggar. Photo of the theatrical figure was reprinted by all media after the release of his "Wojciech" in 1997. For 20 years of work, he has staged more than 30 performances, many of which have become a discovery for theatergoers. His notable works were The Good Man from Sezuan (Pushkin Theater), Three Sisters (Lensovet Theater), Othello (Satirikon), Seagull (Satyricon), King Lear (The Satyricon).

The creative method of Yuri Butusov

The director demonstrates a tendency toward laconism andminimalism. He attaches great importance to space, in his productions on stage there are no random objects and decorations for decoration. He plays every thing that comes to the scene: a table in Hamlet, a piano in King Lear, a tree in Godot are almost acting characters of the play.

Butusov always works with the viewer and for him, he tells complex stories in simple and understandable language, involves the viewer in deep empathy and immerses the atmosphere of the play.

His method of criticism is called "nonlinear" theater,it is based on sketches, associations, violation of the usual logic. Over the years, Butusov's logic of narrative becomes more and more complicated, the viewer is offered a large joint intellectual work on reading classical texts.

Awards and achievements

Butusov from those directors whom criticism likes,he repeatedly received laudatory and enthusiastic reviews and awards. In his portfolio there is a "Golden Mask", "Golden Soffit" - a theatrical prize of St. Petersburg, the "Chaika" prize, the Pr. KS Stanislavsky.

Private life

If there are closed persons in the theatrical world, thenit's Yuri Butusov. The director's wife is the theme of the most frequent questions of admirers of his work. But there is no information on this topic in the media. There are two versions: either Butusov - a great conspirator, or it does not have a wife. The second is more likely, given the crazy performance and utilization of the director. It seems that he has no time to think about his family. He tries to realize his numerous creative plans.