The art of speech is the only one that does not requirefor creativity no improvised material, no clay, no stone, no colors - only a talent for owning a word. If human memory kept everything for ever, even paper would not be required.
Rhetorical refers to such figures of speech,which are built on verbal revolutions of a conditionally dialogical nature. Rhetorical figures arise from the violation of communicative-logical norms of utterance, since those dialogical intonations that they introduce into the process of speech are not designed for a real answer or reciprocal practical action, as is customary in "live" communication. This live communication in everyday life is a dialogue that serves primarily the needs of information exchange between its participants. It consists of such appeals to the interlocutor, which presuppose an answer or induce him to concrete actions. The dialogical nature of the rhetorical turns is quite conventional, and their use in the artistic work is designed to solve the following problems:
In some cases, rhetorical figures can perform a compositional role.
Modern literary critics to rhetorical figurescarry references, denials, exclamations and questions. How do they explain what a rhetorical question is, rhetorical appeal, rhetorical exclamation and denial? Let's consider the appeal. It is rhetorical if it does not aim to establish a real contact with the person, object or phenomenon addressed, but serves only to draw the attention of the reader to them and express the speaker's attitude. Such treatment is also called "nominative presentation." Here is an example: "Moscow! How much in this sound ... "Rhetorical appeals are often used in verse than in prosaic texts, where it, among other things, quite often forms," introduces "the theme of the work. As here: "Oh joy! There is so much emptiness in the heart that you can not manage, you can not ... "
The rhetorical exclamation is an utterance,which is characterized by a special expressiveness and stressed-emotional character. It is introduced primarily to attract attention or increase the emphasis on this or that aspect of the depicted subject: "O view insidious and attracting!" All the listed figures fulfill their role in the text of the work, but the common thing is that they all make this text expressive and emotional .
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